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Captain America (Chris Evans) returns for another round of action in this sequel from Marvel Studios and producer Kevin Feige. ~ Jason Buchanan, Rovi
About Captain America: Civil War
Artist : Chris Evans, Robert Downey Jr, Chadwick Boseman, Daniel Bruhl, Elizabeth OlsenAs : Steve Rogers/Captain America, Tony Stark/Iron Man,
Title : Captain America: Civil War Tokyo Heist Full Movie 2016
Release date : 2016-05-06
Movie Code : 3498820
Duration : 123
Category : Action, Sci-Fi, Thriller
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With Civil War, Marvel Studios has proven, once again, that the world's heroes remain in good hands.
In this spectacularly entertaining sequel, Rogers is still running, jumping, and chucking his mighty shield like it's 1945. But now he's doing so with the weariness and distrust of historical hindsight.
The most mature and substantive picture to have yet emerged from the Marvel Cinematic Universe.
If you live and breathe Marvel, this is one of the MCU's stronger offerings. If you are a spy coming in from the cold, the answer is not so clear.
Downey Jr. persists in trying to give a real performance in these Marvel movies, and, against all odds, succeeds.
It advances the story and respects mythos of its comic book creations, yet isn't averse to taking risks and moving it into bolder directions.
Deeply mediocre and ultra-predictable .
The most impressive superpower on display in Captain America: Civil War. is the whole team's ability to give an escapist comic book movie an intelligent sense of connection to life in the modern world.
The summer movie season has barely begun, and already the remedy for superhero film fatigue has arrived.
Civil War reminds us it's OK to enjoy a few laughs, even while diabolical villains plot doom, outraged citizens demand accountability and your best pal mistrusts you.
Much of "Captain America: Civil War" is just the laborious working-out of leftover dangling plot elements from "Captain America: The Winter Soldier" two summers ago.
The best kind of blockbuster comic-book movie, tweaking the brain while dazzling the eye.
The third "Captain America" film entertains relentlessly, which is to say loudly and busily, but with enough humor and intelligence to make it seem less pandering than it actually is.
Sure, it's too much and way too familiar. But Captain America: Civil War brings the fun, the fierce and the fireworks. Summer, we have liftoff.
This film is unlikely to convert a non-Captain America lover into a fanatic but it's assembled with sufficient skill that those who enjoy this sort of motion picture will have a good time.
Bounds along excitingly, keeping viewers guessing, launching some successful switcheroos and bringing real stakes to the game. The end results should reverberate throughout the big- and small-screen Avengers universe.
Unless you're intimately familiar with the so-called Marvel universe (or you really love CG explosions), little of this will resonate.
Salinger has some good moments dealing with the cultural shock of his Rip Van Winkle reawakening, but film never takes flight under Albert Pyun's leaden direction.
Fun, happily, is one of the many ingredients in copious supply here. When you include Paul Rudd as Ant-Man, how could it not be? Then again, there isn't a lot of room for him, so he's kind of wedged in there, but it's pretty swell when he's around.
The motto of the directors, Anthony and Joe Russo, appears to be: If you can make it happen, do it. Don't hold back.
In his third outing as the Captain, Evans seems totally comfortable in the role. He manages to convey his character's goodness without making him seem like a self-righteous stiff.
There's too much going on: the Marvel Universe stuff, the WikiLeaks-ish paranoia stuff, the video game-ish CG visual effects stuff, the epic John Woo-ish everybody-pointing-a-weapon-at-everybody-else face-off stuff.
In the end this is a movie about friendships and conflict, and what can happen when the latter overwhelms the former. It's about two genuine heroes who can't reconcile their obligations and duties with the friendship they both cherish.
I had fun. But I could have had more.
We not only get an edgier, more complex, more compelling storyline, we get the most badass 95-year-old the world has ever known.
With every new installment of the comic book franchise, the scale gets bigger, relationships get trickier, new forces enter the fray.
What makes "The Winter Soldier" so enjoyable . and what will make it so profitable, is its emotional bandwidth-all the vivid, nuanced life lived by its characters in between their frenzied escapades.
The signal-to-noise ratio on "The Winter Soldier" is all messed up, and the net effect is self-canceling. I enjoyed the movie while I was watching it, or I thought I did, but all that's left is an irritating buzz.
Nothing in Civil War takes your breath away. Little in story terms is what you'd call daisy fresh. But almost everything in it works on its own prescribed terms, and the quiet moments register.
"The Winter Soldier" is superbly made and well-acted, neatly setting up the next few installments with just the right enticing sense of ongoing mystery.
Captain America: The Winter Soldier injects new life into the Marvel movie universe and the superhero genre.
It chooses to avoid the easy gags and go for stronger drama by having Cap confront something he really wasn't prepared for: A S.H.I.E.L.D. that seems to have lost its way, and may even have a few traitors buried deep inside it.
A house divided against itself cannot stand. But in the case of Captain America: Civil War, a divided house brings out the best in this supersized superhero franchise.
Civil War is both a Captain America sequel and a third Avengers movie, and that's more than any movie could possibly pull off. It does the best it can, though.
It's the Vibranium standard for super-team flicks.
"The First Avenger" was a work of art, while "The Winter Soldier" is serviceable entertainment.
Mostly, this one registers as sound and fury, signifying sequels.
This is the first Marvel Studios movie since the original Iron Man that really stands on its own.
Captain America: The Winter Soldier is the first superhero film since the terrorist-inflected The Dark Knight that plugs you right into what's happening now.
Call it "civil war" or call it brand extension; call it a "cinematic universe" or a corporate behemoth - the latest Marvel extravaganza furthers the studio's cross-pollination of action franchises in a way that's sure to satisfy devotees.
A great international thriller, it engages the world at large yet stays focused as a sharp cast led by Scarlett Johansson, Anthony Mackie and Robert Redford support the star-spangled main man.
The Winter Soldier is no labored treatise on political science; it fulfills all the expectations of a Marvel movie. But this time the danger doesn't emanate from a fantasy villain like Neutron or an imaginary realm like Asgard.
Tear away the powers, abilities and egos, though, and the third Captain America movie is at its core a deep exploration of friendship and family and what sacrifices should be made to hold onto both.
The players salvage this thing with their acting and awesome thighs, and the fun really kicks in when Spider-Man (Tom Holland), Ant-Man (Paul Rudd), and Black Panther (Chadwick Boseman) join the squabble in an exhilarating airport sequence.
Beneath the expensive, computer-generated busyness of this second Captain America installment is a bracing, old-style conspiracy thriller made extra-scary by new technology and the increasingly ugly trade-offs of a post-9/11 world.
Simply put, when it comes to juggling multiple superheroes in a single movie, Marvel's latest comes close to setting the standard. And the studio, as well as the villagers, should have cause to rejoice.
Powered by a dynamite Evans and a first-rate cast, this movie overcomes its plot holes and 3D too-muchness by making human frailty its primary focus.
Packed to bursting with the one ingredient 'Batman v Superman' lacked: joy.
If you do not count Guardians of the Galaxy - because it remains an eccentric outlier - Civil War now easily ranks as the best movie in the Marvel Cinematic Universe.
A movie that is, in the best sense of the word, a Marvel.
The movie does its duty. It's a reliable commodity, delivered efficiently and well, like pizza.
Plotwise, there's a lot of ground to cover in Civil War (even at two-and-a-half hours). But the Russos juggle all of the murky motivations and shifting alliances with impressive deftness.
It does prove, if Marvel hasn't already, that something can be both a load-bearing act of brand extension and a nimble, colorful blast of entertainment.
Kudos to co-directors Anthony and Joe Russo and the team of writers for juggling more than a dozen comic-book characters and nearly that many plot lines, and only occasionally getting us (and by us I mean ME) lost in the Geek Weeds.
Bragging just a bit - see how many franchise characters we've got, DC? - Marvel practically doubles the number of superheroes for this movie. And it's too much.
The fact that a Marvel movie dares to question the big, shiny spectacle that is its bread and butter - and acknowledge that untold thousands die in the name of entertainment - seems rather novel.
Takes the bold (for Marvel) step of reducing CGI spectacle to a relative minimum in favor of reviving the pleasures of hard-driving old-school action, surprising character development and intriguing suspense.
A little too rambling at two and a half hours, but otherwise just the right shade of light and bright for a movie about superheroes fighting superheroes.
The filmmakers . understand that they've built up a vast ensemble of character types, all of them played by better-than-average actors, and that they can mix and match the drama, comedy, or action as they see fit.
As far as big superhero mash-ups are concerned, this one whets the appetite without providing a satisfying main course.
"Captain America" is everything a big budget superhero film should be - except inspired.
Civil War, at its best, is blessedly light on its superhero-booted feet.
Fight scenes are tense, though occasionally it's hard to tell who's doing what to whom. But they have the bone-crunching crack of realism sometimes lacking in comic book movies.
The Marvel faithful will turn up for the action scenes, and the directors, brothers Anthony and Joe Russo, add an uncommon sharpness to sequences of urban warfare - these Heat-grade bullet volleys have a real ping to them.
The movie isn't merely wrong for kids - it's just all wrong.
While it lacks the sense of surprise of [the last film], its mix of action, humor, effects, the introduction of a new character and the reintroduction of an old one strikes just the right tone for a film that is as much about marketing as moviemaking.
Downey is enough to make you think that an Avengers movie with no action at all might still be good. It might even be an improvement.
There's darkness and confusion just under its comic-book surface.
The new franchise effort from Marvel charges through hyperkinetic chases and combat, though with slightly less finesse than its predecessor, "Captain America: The First Avenger."
On paper this sequel has some promising elements, but on screen it retreats from the very issues that it raises, and on a shelf next to "Captain America: The First Avenger," "The Winter Soldier" is pale.
Directors Anthony and Joe Russo continue to mine their experience with TV comedies, juggling all the members of their superhero family with a playful touch that both informs character interaction and delivers vital breathing room in between battles.
If Captain America: The Winter Soldier is indeed an augur of things to come during this special-effects-laden summer, maybe it won't be such a painful season after all.
Who emerges as the winner of this "Civil War"? The audience. The picture delivers in a big, big way.
Chockfull of the breathless cliffhangers dictated by the genre, but equally rich in the quiet, tender character moments that made the first film unique among recent Marvel fare .
The first Marvel film in forever that doesn't climax with our heroes mowing down a generic horde of non-human nobodies.
If we must endure yet another spring-summer cycle of comic book superheroes, this movie at least delivers the wham-bang goods (recycled though they may be).
To the short list of superhero flicks that exceed expectations, add "Captain America: Civil War."
Captain America: Civil War is a comic book pulped into today's newspaper.
"Captain America: The Winter Soldier" takes a flying leap off the basic premise of superhero movies and sails away in unexpected, crowd-pleasing directions.
While ''The Winter Soldier'' succeeds as finely engineered merchandise built to be crowd-pleasing entertainment, for moviegoers and shareholder alike, it has a shelf life that won't last much past its running time.
"Captain America: The Winter Soldier" has the usual overlong running time, the half-hearted feints in the direction of human feeling and the obligatory action sequences that are big without being either exciting or particularly legible.
Suffice it to say that, rather than psychic powers or super-strength, casting has always been the Marvel movies' secret weapon. That holds true here, up to and including charismatic newcomers Chadwick Boseman [and] Tom Holland.
The Winter Soldier cheerfully and efficiently does its job doing whatever Marvel movies are meant to do - make you look forward to the next one, I guess.
After the first two "Captain America" entries, the finest comic-book movies of the last five years, this one is disappointing.
Kudos to the Russos and screenwriters Christopher Markus and Stephen McFeely for stepping outside the constraints of both the genre and the shared history.
These films no longer have to delight and surprise us; no, their job now is to manage the brand, not screw anything up too royally, and keep us hooked for the next installment. Civil War pulls all that off mostly well.
In "Winter Soldier," amidst the chaos, our hero learns to be wary of the modern world. Welcome to the 21st century, Cap.
Like many others of its type, [it] gets off to a kinetic start only to lose steam before blowing everything up.
It's a rollicking and action-packed extravaganza in which every superhero has a moment to shine.
"Captain America: Civil War" does not in any way transcend the conventions of the genre. On the contrary: It succeeds because it doesn't really try.
In the race with DC Comics, Marvel still comes out on top when it comes to fun.
The best way to think of Captain America: Civil War is as a toy box in which the sheer quantity of toys partly makes up for the lack of anything new.
Marvel makes it funny, and that charm and care is what has and will keep audiences coming back over and over again.
A comic book extravaganza that's enhanced by wit and audacity, not to mention the sort of action that only mountains of money can buy.
As they did in Winter Soldier, the Russos have achieved an uncommon balance of plot and action, humor and drama, all of it once again deeply grounded in character.
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